Showing posts with label Gregory Peck. Show all posts
Showing posts with label Gregory Peck. Show all posts

Saturday, August 23, 2014

Roman Holiday (1953) - Updated

Joe: Today’s gonna be a holiday.
Princess Ann: But you want to do a lot of silly things?

The answer is yes, yes we would!! That is the beauty of this film which plays out as a lovely jaunt through Italy with two favorites in Audrey Hepburn and Gregory Peck. With Hepburn being practically unknown at this point in time it made her a wonderful choice to play Princess Ann. She was someone without any prior identifying roles making her young princess seem plausible. William Wyler took a chance on an unknown and he certainly hit the jackpot.

Gregory Peck on his part was always a strong leading man and an All-American type, perfect to play Joe Bradley. However, he also exuded gentlemanliness so despite the fact that the princess spent the night in his apartment we know nothing went on.  He had no ulterior motives bringing her to his apartment and even when he arranges to get an article out of her we know that is not who he is.

The film itself consists of wonderfully connected vignettes incorporating the Roman culture and landscape. Princess Ann leaves behind the hospitality of Joe in order to explore a bit before she goes back to her real life. In order to get that major scoop he tails her and finally invites himself to tag along, so beginning the real fun. Princess Ann gets her beautiful locks cut by a friendly barber and gets some gelato from a street vendor.

Soon she takes her first puff of a cigarette, takes in the glory of the Coliseum, rides a Vespa through the hectic streets of Rome and winds up in police headquarters with some explaining to do.They finish up their afternoon on a more thoughtful note at a wall of wishes originating during World War II.

One of the best moments occurs at the mouth of truth, a great stone statue which you are supposed to stick your hand in before it eats it up. In a moment of sheer fear Princess Ann or Audrey Hepburn, I’m not quite sure who, looks on in horror as a screaming Bradley removes his arm and his hand is gone. Up comes the hand from the coat sleeves and the jokes on her. It has absolutely no bearing on the plot but it makes us love Peck and Hepburn even more.

To finish off the evening the two companions and Irving (Eddie Albert) cause a ruckus at a dance aboard a barge before swimming away to safety. There Ann finds love and a soaking wet kiss to go with it. But it is at that moment when the laughs stop and the romance begins that everything becomes all too clear. This wonderful day cannot last forever. There is a time, after one final embrace, when they have to say goodbye for good.

This is not one of those “love at first sight” stories but it is a different sort of fairy tale where two individuals share an enchanting day together and fall in love. Every Cinderella story must end and so does this one (Anna: At midnight I’ll turn into a pumpkin and drive away in my glass slipper). They must eventually come back down to reality with Princess Ann fulfilling his duties and Joe moving on with his career.

Joe’s major newsflash is not a thing anymore; the whole day means too much to him and as the buddy he is, good ol' Irving understands that.

Speaking of Irving, he deserves some discussion. Eddie Albert’s character is spilled on, stepped on, knocked over, tripped and through it all remains the perfect buddy for Gregory Peck.  Even his little car is a riot, not to mention his inconspicuous tiny cigarette camera and sly efforts at photography in every type of circumstance. Irving shares a great deal of double talk with Joe which somehow gets past the unsuspecting princess. However, by the end of the film the princess is also a cohort in their memorable adventure with commemorative photos included! 

When Joe Bradley walks out of the grand palace he leaves content knowing that he shared something special. No one else needs to know (aside from Irving) about the fairy tale they shared and that is the beauty of it all. It is just their little secret, their Roman Holiday. 

5/5 Stars

Thursday, July 31, 2014

The Best Films of Gregory Peck

1. To Kill a Mockingbird
2. Roman Holiday
3. The Gunfighter
4. Cape Fear
5. Twelve O'Clock High
6. The Guns of Navarone
7. The Big Country
8. Spellbound
9. The Yearling
10. The Keys of the Kingdom
11. The Valley of Decision
12. The Omen
13. Yellow Sky
14. How the West was Won
15. Captain Horatio Hornblower
16. Moby Dick
17. Genteman's Agreement
18. The Bravados

Thursday, April 24, 2014

To Kill a Mockingbird (1962)

Adapted from the famous novel, this film holds its own thanks to a stellar portrayal of Atticus Finch by Gregory Peck who embodied one of the most heroic screen personas because of his humility, his quiet strength, and his ability to understand others. Furthermore, this film covered the issue of prejudice when it was still a very explosive subject to many people.

*May Contain Spoilers
Adapted from Harper Lee's classic, this film has a lot of things going for it. This includes a touching story and on of the greatest heroes of all time. It follows the recollections of Scout (Mary Badham) as she remembers her childhood with her older brother Jem and their widowed, lawyer father Atticus. The plot revolves most importantly around the trial of a black man for an accused rape of a white girl . The only man willing to defend Tom Robinson is Atticus because he feels it is the right thing to do. In probably his greatest performance, Gregory Peck portrayed a quiet yet courageous man, Lee had likened to her father. Instantly we are drawn to this well-grounded person who is not always liked or successful for that matter, but who always does what is ultimately right.

5/5 Stars

Monday, April 21, 2014

Cape Fear (1962)

Starring Gregory Peck, Robert Mitchum, and Polly Bergen, the film is an ominous and intense thriller.Peck is an attorney in a small town and he has a beautiful wife and young daughter. However, Max Cady (Mitchum), a man he helped put away, is now out. He makes it clear he wants revenge and he will bide his time to get what he wants. He constantly torments, stalks, and plays mind games with Peck and his family. All the police and private investigator can do is keep him under surveillance. Desperate, Peck decides to set a trap, moving his wife and daughter to a house boat on Cape Fear river. Sure enough Cady comes and shows his animalistic and brutal side. In the final showdown, Peck and Mitchum face off in a tense confrontation. Cady gets what is coming but not without doing damage. Following the Night of the Hunter, Mitchum plays an even greater villain here because he fills you with anxiety without doing anything.

4.5/5 Stars

Thursday, April 17, 2014

The Big Country (1958)

Directed by William Wyler and starring Gregory Peck, Jean Simmons, Charlton Heston, and Carroll Baker, this pacifist western revolves around a feud between two ranching families. A gentleman sea captain comes out west to be with his fiancée on her father’s ranch. After his arrival, he encounters a jealous farmhand (Heston), the beautiful schoolteacher friend of his fiancée, and of course the Hannasseys, who are sworn enemies of the Terills. In a sense he is a fish out of water because he never feels a need to try and prove his bravery to others. The schoolmarm is caught between the two families since she owns the vital watering hole “Big Muddy.” Mckay buys the land as a wedding present but when the wedding ties are cut now he is the one in the middle of it all. In order to stop the imminent bloodshed, he bravely rides into the Hannassey’s territory in order to get both sides to reason. Whether it be the score, the cinematography, or the dialogue, you will certainly come to realize that this is a Big Country.

4/5 Stars

Thursday, April 10, 2014

The Gunfighter (1950)

Starring Gregory Peck, this enjoyable western is about Jimmy Ringo, a gunfighter who has gained notoriety over the years. He rides his horse into a town and enters a saloon for a quiet drink. A cocky kids eggs him on and Ringo kills him with the boys brothers soon on his tail. He scares them off and heads to the town of Cayenne to see his estranged wife. Most of the film has Ringo resting in the saloon where the bar tender waits on him and the whole town crowds outside to peek at the legendary killer. Ringo is met by the marshall who turns out to be an old friend. He tries to help Ringo, including contacting his wife who is now a schoolteacher. Finally, Ringo is able to see his wife and their young son. Exuberant, he is about to leave town when his assailants are spotted. In the end his name was too big. This film had a striking opening score, good characters, enjoyable dialogue, and some major plot twists.

4.5/5 Stars

Tuesday, April 8, 2014

Twelve O'Clock High (1949)

Starring Gregory Peck, the film follows a strict brigadier general who takes command of a group of bombers who fly precision daytime missions during WWII. Frank Savage is sent to relieve his friends because the group has suffered a great deal of poor luck. From the get go this tough leader is at odds with his men. They all want to be transferred and yet with the help of the camp adjutant, Savage is able to lead them effectively. His touch tactics lead to success in the air and a pride in his men develops. However, after one good mission Savage is incapable to go up the next day. He becomes a lifeless man and only when his men return does he revert back to normal. All this is remembered by Major Stoval as the film concludes. Peck and Dean Jagger were both very good and the bombing mission was certainly exhilarating to watch. It is more about the people then the war and that still makes it a good film.

4.5/5 Stars

Monday, January 6, 2014

Roman Holiday (1953)


Starring Gregory Peck and Audrey Hepburn with direction by William Wyler, this movie has one of the greatest romances ever depicted on screen. Hepburn is a young princess named Ann on a trip to a foreign country. However, she is constantly bored from the rigidness of her life. On a whim she escapes in the night and finds herself sleepily wandering the streets of Rome. An American journalist (Peck) happens upon the disorientated princess and eventually decides to take her in since she seems lost. Soon enough he figures out just who she is and decides to take her through Rome with a friend (Eddie Albert) so they can get a scoop. Together they take her through the city to explore and secretly take candid photos.

However, Peck soon finds himself falling in love and he cannot bring himself to submit the article. With the thanks of the princess, they are left with the simple satisfaction that they were able to spend the day together. Peck and Hepburn are both wonderful in this one and the story is heartwarming and funny.

I tried to figure out why it is always so enjoyable coming back to this film. Was it the romantic chemistry of Peck and Hepburn, the timeless setting of Rome? Or perhaps is it the direction by William Wyler, the screenplay by blacklisted Dalton Trumbo, or the support work of Eddie Albert as Irving? Undoubtedly all of these wonderful occurrences play some part in making this film a classic.

Most of all it struck me that much like Jacques Tati's Mr. Hulot's Holiday, this is not just a film. It is quite like a vacation for the audience and we get to enjoy it along with all the main players. We get the privilege of taking part in all the adventure and the laughs. By the end we don't want it to end but like any holiday we must say goodbye and wait until our next vacation comes around. Thus, it seems that Roman Holiday never gets old because the audience is constantly looking forward to the time away in 1950s Rome with our romantic stars.

5/5 Stars

Wednesday, October 16, 2013

Spellbound (1945) - Alfred Hitchcock

Directed by Alfred Hitchcock and starring Gregory Peck and Ingrid Bergman, the film follows the complicated story of an intelligent lady doctor skilled in psychoanalysis. Bergman's character is very focused on her work and often withdrawn. That soon changes when she meets the new doctor (Peck) whom she falls for. However, soon Bergman realizes he is not the real doctor and further uncovers his state of amnesia used to forget his past. Trying to keep him out of the hands of the police, she takes Peck to her former colleague and they try to delve into his dreams. When Bergman finally seems to have all the answers unexpected complications arise. Now she must save her patient and lover before it is too late. Hitchcock's directing, a great score, collaboration with Salvidore Dali, and good acting make this film worth seeing. Michael Chekhov is certainly good for a laugh or two as well.

4/5 Stars
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