Starring Anthony Hopkins and
Debra Winger with direction by Richard Attenbourough, this film chronicles the
romance of famed Christian professor and writer, C.S. “Jack” Lewis with the American
poet Joy Gresham. Jack is by now a respected professor at Oxford and a widely
acclaimed lecturer who often speaks on the issue of human suffering. In his
personal life he is rather reserved. He lives with his older brother Warnie and
spends times with his colleagues discussing at the local pub in the evenings.
It is not until he receives a letter from an American admirer named Joy Gresham that his life seemingly begins to change. He first accepts to meet her only to be gracious, but soon their relationship develops into a close bond. Jack meets Joy’s son Douglas who is enthralled by Narnia. He even offers them a place to stay during the Christmas season since they have no where else to go. Lewis and Gresham are very different people to say the least. He is a quiet intellectual with the sensibilities of an Englishman while she is a plain speaking American who is not afraid of mincing words. However, these differences bring them closer together because help each other to view the world in a radical new light. Jack learns how Gresham’s marriage is going badly and he settles to marry her in a practical union so she and Douglas can stay in England. They do not speak of it much and it hardly seems real. Joy calls him on it realizing for herself that he allows no one to challenge him. There is no vulnerability to him whatsoever.
However, then Joy is diagnosed with bone cancer and slowly but surely she begins to deteriorate. For the second time in his life Lewis understands the anguish that comes when a loved one is suffering. Because the fact is he most definitely loves Joy and it simply took tragedy to make him realize it.
As with any unexplainable suffering Lewis is tested in his faith and the reality human suffering has new meaning to him. It is no longer just lecture material, becoming a far more personal process.
Although this film is not so much focused on C.S. Lewis as a Christian theologian or apologist, I think Anthony Hopkins does a wonderful job of portraying him as a kindly and gentle man of faith. He struggles with doubts and fears like every human, but he found something wonderful in his love for Joy that changed him.
Debra Winger must also be commended because she played well off of Hopkins and even though I have no picture of the real Gresham, Winger seemed to embody her well. In some ways I found her most beautiful when she was bedridden, absent of all makeup and seemingly so pure. It positively tears your heart out watching her son say a tearful goodnight or look on as Jack stays up with her. This is a better picture of real, unadulterated love than most films can hope to manage because it very rarely becomes a sappy melodrama instead resorting to more deliberate means. As Jack says we live in the “Shadowlands,” but amidst the pain and suffering love seems to shine through even brighter.
This was such an enlightening film for me because I will always envision C.S. Lewis as a scholar and rational thinker, which he was. But he also had a vulnerable human side and this film as well as A Grief Observed (written after Joy's death) prove that point. It's hard not to feel for him and that's part of the beauty of this story.
4.5/5 Stars
It is not until he receives a letter from an American admirer named Joy Gresham that his life seemingly begins to change. He first accepts to meet her only to be gracious, but soon their relationship develops into a close bond. Jack meets Joy’s son Douglas who is enthralled by Narnia. He even offers them a place to stay during the Christmas season since they have no where else to go. Lewis and Gresham are very different people to say the least. He is a quiet intellectual with the sensibilities of an Englishman while she is a plain speaking American who is not afraid of mincing words. However, these differences bring them closer together because help each other to view the world in a radical new light. Jack learns how Gresham’s marriage is going badly and he settles to marry her in a practical union so she and Douglas can stay in England. They do not speak of it much and it hardly seems real. Joy calls him on it realizing for herself that he allows no one to challenge him. There is no vulnerability to him whatsoever.
However, then Joy is diagnosed with bone cancer and slowly but surely she begins to deteriorate. For the second time in his life Lewis understands the anguish that comes when a loved one is suffering. Because the fact is he most definitely loves Joy and it simply took tragedy to make him realize it.
As with any unexplainable suffering Lewis is tested in his faith and the reality human suffering has new meaning to him. It is no longer just lecture material, becoming a far more personal process.
Although this film is not so much focused on C.S. Lewis as a Christian theologian or apologist, I think Anthony Hopkins does a wonderful job of portraying him as a kindly and gentle man of faith. He struggles with doubts and fears like every human, but he found something wonderful in his love for Joy that changed him.
Debra Winger must also be commended because she played well off of Hopkins and even though I have no picture of the real Gresham, Winger seemed to embody her well. In some ways I found her most beautiful when she was bedridden, absent of all makeup and seemingly so pure. It positively tears your heart out watching her son say a tearful goodnight or look on as Jack stays up with her. This is a better picture of real, unadulterated love than most films can hope to manage because it very rarely becomes a sappy melodrama instead resorting to more deliberate means. As Jack says we live in the “Shadowlands,” but amidst the pain and suffering love seems to shine through even brighter.
This was such an enlightening film for me because I will always envision C.S. Lewis as a scholar and rational thinker, which he was. But he also had a vulnerable human side and this film as well as A Grief Observed (written after Joy's death) prove that point. It's hard not to feel for him and that's part of the beauty of this story.
4.5/5 Stars
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