Showing posts with label Loretta Young. Show all posts
Showing posts with label Loretta Young. Show all posts

Wednesday, September 3, 2014

The Stranger (1946)

In a whirlwind the film goes from a moody foreign locale to a quaint American town called Harper, but it never ceases to be a gripping film-noir. Considered Orson Welle's weakest project, The Stranger is still thoroughly enjoyable thanks to the performances of Edward G. Robinson, Loretta Young and Welles himself. Much like Shadow of a Doubt, this film shows that noir thrillers can still take place in middle America and they can be pulse-pounders all the same. Also, an evil man can easily exist in a mundane environment and still be evil.

The reason we end up in Harper of all towns has to do with an "escaped" Nazi war criminal. He was allowed to escape and investigator Mr. Wilson (Robinson) follows him. It's an idyllic little town and one of its most respected members is professor Charles Rankin (Welles) who is soon to be wed to pretty Mary Longstreet (Young). Little does she know that he is former Nazi war criminal Franz Kindler and he is the man the escaped Konrad Meinike is looking for. Mr. Wilson is very interested in his whereabouts too.

Meinike soon disappears but not before deterring Wilson. However, not one to shy away from his duty, Wilson soon ingratiates himself with the local people, especially the newly married Mary and her kindly family. He is eager to learn more about the professor and at first he seems above reproach, but something lurks underneath his calm exterior. Soon the beloved family dog Red is killed, an increasingly manic Rankin confesses his predicament to his wife and conveniently leaves out a few facts. Now constantly paranoid, Mary's life is in far more peril than she realizes and Wilson takes all the precautions he can. The clanging of the newly refurbished clock becomes a point of major contention and it also serves as the perfect locale for a final climatic showdown (Put aside the absurdity and just watch it).

The whole town turns out for the show and finally after getting conked on the head and nearly killed during the case, Mr. Wilson finally has time to relax. Welles is not quite as memorable as Harry Lime here but still a sophisticated villain of sorts.  Likewise Barton Keyes is a bit more memorable but Edward G. Robinson still brings his personality, iconic voice and memorable mug to the table. Loretta Young has a radiant face and eyes like always. In other words they do what they do. It works in making The Stranger a worthwhile thriller with the melodramatic music and shadowy facades of a film-noir. This is undoubtedly an oversimplification, but  then again Orson Welles needs no introduction and he certainly does not need me to vouch for him.

4/5 Stars

Monday, December 23, 2013

The Bishop's Wife (1947)

Starring Cary Grant, Loretta Young, and David Niven, I would certainly consider this film a Christmas classic. It opens and we are introduced to the kindly and handsome angel Dudley (Grant). When a Bishop prays for guidance in the difficult task of building a Cathedral, Dudley is sent to him. The once genial man has become frustrated and troubled, making life more difficult for his loving wife. When Dudley arrives, Henry finds out in disbelief that he is an angel. However, to everyone else Dudley is simply a charming man who has come to assist Henry. Everyone gravitates towards his kindness, except Henry. Dudley befriends an old professor, is kindly to the servants, helps their little daughter, and above all makes the Bishop's wife happy by spending time with her. Over time he becomes attracted to her but she doe snot feel the same way. A jealous Henry stands up to the angel and realizes he must strengthen his marriage. Before he leaves Dudley explains he will not be remembered and he will not reutrn. Then on Christmas Eve the Bishop delivers a sermon as a new man. Dudley look on contentedly, knowing that he wrote the sermon. Most importantly he fixed the Bishop's attitude and marriage so he could continue doing good with or without a cathedral. Grant's charming portrayal reminds me somewhat of Clarence Oddbody and it makes sense because Henry Koster directed James Stewart in Harvey as well.

4/5 Stars
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