The Best Films of Al Pacino

1. The Godfather Part II
2. The Godfather
3. Serpico
4. Dog Day Afternoon
5. Scarface
6. Glengarry Glen Ross
7. Heat
8. The Insider
9. Donnie Brasco
10. Insomnia
11. Carlito's Way
12. Scent of a Woman
13. The Godfather Part III

Serpico (1973)

"Come on Frank. Let's face it. Who can trust a cop who don't take money?"

This is the state of affairs in the police department that green police academy grad Frank Serpico (Al Pacino) finds himself thrown into. At first he is unaware of it all as he moves up the ranks as a young uniformed cop. In fact he looks exactly like a post-war Michael Corleone at this point. His new role seems like a honorable life of camaraderie, duty and public service. The corrupt is obvious and distinct from the good. Soon his brash, forthright style creates waves but it soon becomes apparent that he is not one to care about hurting egos.

He moves on with his career working in plainclothes and getting a new apartment followed by a new dog. His appearance begins to change as well as he starts wearing a thick bushy beard and wearing hippy garb. It suits him fine in his work and outside he meets a pretty girl named Leslie Lane, but it's not meant to be.

Serpico corroborates with colleague Bob Blair (Tony Roberts) trying to figure out how to bring attention to the bribes he has been offered. But honest help is hard to find especially from someone who makes it stick. The higher ups care more about the reputation of the department over corruption, making progress difficult to come by. He continually bounces around from division to division and nobody seems to want him or trust him for that matter. There only a few honest Joes around and they are few and far between. Serpico gets transferred this time to the "upright" 7th division and begins seeing his next door neighbor named Laurie. Too soon he learns that one of his acquaintances is instrumental in the extortion that takes place apartment wide. By now Frank is feared, hated and despised because he will not take money under any circumstances. It takes its toll to be all alone in the force and he lashes out at Laurie who leaves him for good. Now he is truly alone.

He becomes increasingly combative and paranoid as he gets ready to testify before the grand jury. Another case of bribes comes out and when Serpico and his upright partner try and report it nothing is done. As a last resort Frank goes to The New York Times and they blow the cover right off. He soon receives an ominous death threat and gets shot when trying to bust someone.

He lays in the hospital recuperating asking for his guards to be relieved and watching the hate mail pile up. His badge is returned to him but he rejects it in disgust soon resigning from the police and waiting for a slow boat to Switzerland. That's as far from New York as he could get.

It seems like there are so very many close-ups of Frank Serpico and thus over the course of the film we get the opportunity to truly study his face, or rather the face of Pacino as he embodies this character. His cold, aloof eyes, his facial hair that goes under several transformation, but that is only the outward appearance. It is his inner-transformation that is most important because that is where his conscious lies, to guide him each and everyday on the beat.

My New York geography leaves something to be desired but that's not the problem of native New Yorker Sidney Lumet. This is a story that takes place in New York, made for New York and fit perfectly with its director. It seems like he knew the streets of the New York like the back of his hand, really creating an authentic atmosphere for this police biopic. It has a feel of The French Connection and yet it is a far more personal look at the life of Serpico himself.


This is also extraordinary because the story of Serpico was so fresh still only a year or two old at most. Furthermore, the film has the same disillusioning and depressing tone of other dramas that came out of the 1970s. Back in the 1950s films like 12 Angry Men (Lumet's debut) still had an air of idealism. That had mostly dissipated in the New Hollywood period, because the good guys aren't black and white. Serpico is not the greatest guy around but the one thing he has going for him is he is not crooked and that's saying a lot in the corrupt world of policemen. This is his story told with all the blemishes, personal troubles and drama that went with it. The greatest service to him is that his story got told and hopefully truthfully enough.

4.5/5 Stars

Glengarry Glen Ross (1992)

It's a film about a despicable world which promotes despicable people and despicable behavior. That's the world of the real estate salesmen in Glengarry Glen Ross. Here are men who use any mode necessary to close deals as they say. They finagle, lie, cheat and even steal because those are just tricks of the trade. Those who get the good leads are able to close more deals and make more bank. Those who get the leftovers struggle to swing something out of nothing. Shelley "The Machine" Levene (Jack Lemmon) is one of those struggling after many years of success in the business or racket, whichever you prefer. He has a lovely personality, rather like a hissing snake trying to seduce you before going in for the kill. On the flip side he can be a real jerk and he is unscrupulous as all get out.

But that's enough on Shelley. The office is run by rigid John Williamson (Kevin Spacey) who just follows his orders and does not budge an inch. Then there is Ricky Roma, the top closer who is especially cynical but also a great admirer of Shelley's skill. Dave Moss (Ed Harris) is a man with a big mouth and fiery temper not ready to sit by while other men outperform him. Finally, there's George Aaronow (Alan Arkin) a man who humors Moss and is also fed up with his situation.

The wheels start turning when the Big Whigs send in a man named Blake (Alec Baldwin) to motivate the salesmen. It's the survival of the fittest after all and they know what it takes to sell real estate so he encourages them to go and do likewise. His main tactics include berating, insults and threats against their careers (They either get a car, a set of knives or the boot). Verbal attacks are sometimes more pernicious than physical beatings and that's the truth here. They never relent even after Blake leaves because that's the type of choice words that this environment fosters. One minute a salesmen uses a polished voice to coerce a client then turns right around to bad mouth a colleague.

Moss on his part tries to pull Aaronow into his plan to steal the good leads from Williamson's office. A desperate Levene tries to get better leads from an unrelenting Williamson as the veteran man struggles to convince clients and deal with his ill daughter. Roma on his part is at top form playing his client (Jonathan Pryce) and getting him to stay with a deal until it gets messed up. In the process we see all the pettiness, desperateness and corruption unleashed. The burglary goes down and it does not necessarily involve who you would think. Maybe it does. That's not the point though. The point is these men will do anything given the position they are in, but its not that simple because each one has their complexities. For instance Levene and Roma are on very good terms and Moss and Aaronow seem very buddy buddy. But ultimately it seems they look out for number one and that takes its toll on any human being.

The film is a biting drama brought to us through a fiery and sometimes brutal script from David Mamet, based on his play. Furthermore the story is aided by an all star cast of big names. Each one plays an equally despicable character. I knew Pacino, Spacey, Harris and Arkin were up to the task because I had seen them before in tough or villainous roles. However, to his credit Jack Lemmon shows his versatility here since I absolutely despised him for once. That's no easy task and he proved it to be possible. This film may be a black comedy, but there really should not be much to laugh at.

3.5/5 Stars

The Godfather Part II (1974)

Starring a cast including Al Pacino and Robert De Niro with director Francis Ford Coppola, the film opens with a young Vito Corleone coming to America. The story switches gears to 1958 in Nevada where Michael Corleone has successfully moved the family. However, after a close call Michael goes to Miami and then Cuba to attend to some business having to do with a man named Hyman Roth (Lee Strasberg). The story alternates off and on to Vito as a young man who begins making a life for himself. Upon returning to Michael, he is in a senate hearing where he narrowly avoids being indicted for his activities. From that point on Michael shows no mercy to anyone who is in his way and that includes his family. By the end of the film he is no longer the former idealistic Michael but a callous, cold mobster.

This film was a good installment of The Godfather, acting as both a sequel and prequel. However, at times the split story did seem unnecessary but it does show a contrast between Vito and Michael. The acting, the score, and the directing were all very good. I will let others decide which installment is superior but I will say that this film shows the darker side of Michael. Ironically, he worked so hard to be strong for his family but as he feared he ultimately lost them. 

4.5/5 Stars

The Godfather (1972)

This film is often cited by many as one of the greatest films of all time. I certainly would not be one to argue because it has so many extraordinary aspects. You have Brando as the title character and a great cast of others who reveal the honor as well as the brutality of this lifestyle. However this film is not just about the violence. It is complex and fascinating in many other ways.

*May Contain Spoilers

Starring Marlon Brando, Al Pacino, James Caan, and Robert Duvall, with director Francis Ford Coppola, this is possibly one of the greatest films ever. It begins at a wedding in the 1940s as Don Vito Corrleone takes care of some "business" as head of the family. All too soon it becomes evident that the Don is loyal to his friends and ruthless to those in his way. His youngest son Michael returns from the war and wants nothing to do with the business but at the same time conflict blows up when the family does not back a heroin dealer. When the Don comes close to death Michael finally gets involved. After a series of events he becomes head of the family and soon proves how powerful he can be. Although this film has so much fan fare I did enjoy it a lot. Like I said before it is not just about the violence by any means. It is a period piece with an intriguing story and complex and interesting characters that truly reel you in.

5/5 Stars