How to Steal a Million (1966)

Honestly, the main attraction of this film is its leads in Audrey Hepburn and Peter O'Toole as well as its director, the great William Wyler. Otherwise this film is a light, fluffy, silly caper comedy with a touch of drama. It falls somewhere in between a rom-com and a art heist film where everyone in Paris speaks English. Go figure.

Nicole Bonnet's (Hepburn) father Charles is a master forger of all types of art which he supplements his own vast collection with. Many of his pieces have been sold for a pretty penny at auction and he has yet to be found out.

He loans out a family heirloom, Celini's Venus, to a local Parisian museum for a large exhibition. Meanwhile Nicole catches someone in the act of burglary and it ends up being a handsome young gentlemen (Peter O'Toole).  She is given a fright but ultimately is taken by the man who hardly seems the thieving type. She lets him go without calling the police even giving him a ride home.

Eventually they cross paths again and she recruits him to help her steal Celini's Venus from the museum. She doesn't tell him why, but she has her reasons and he willingly obliges. It's all good fun after all.

The caper scenes are no more harrowing than the rest of the film. In fact it gives the perfect setting for more comedy as the two burglars get locked in a broom closet together after closing while also repeatedly setting off the alarm. But it's all part of the man's plan, because after all he's a professional. And their plan works. They get away with the statue and the following day the news spreads like wildfire.

In the end, Nicole finds out that Simon Dermott is actually a private eye specializing in art and criminology. He's no thief and so this was his first heist too. She thinks she's in for it now, but they're too in love for that to matter. He explains himself to Mr. Bonnet who reluctantly agrees to end his forgery career on top.

The two lovebirds drive off mad cap down the streets of Paris with a beautiful life ahead of them. There's not much else to say except Hepburn and O'Toole are fun together while the score of a young John Williams has a recognizable bounciness. Hugh Griffin seems slightly wrong to be Hepburn's father and the film is far from pulse-pounding but these small facts do not negate the charm of the film.

3.5/5 Stars

Wait Until Dark (1967) - Updated

This is very much a contrived plot line but it certainly is an interesting set piece surrounding a defenseless blind woman targeted because of a heroin-filled doll which fell into her husband's possession. It sounds like a pretty ludicrous set up but Audrey Hepburn is so believable and at times pitiful that she makes the film works thanks to her performance. Alan Arkin plays an over the top terror of a man bent on getting the doll back and he procures the help of two men to play parts in his elaborate charade. He is the near perfect opposition to torture the angelic Hepburn.

Through the entire story Susy’s blindness is being manipulated and she is constantly in a vulnerable state that is extremely uncomfortable for the audience. She is fed lies and entrusts men who she should not, but she cannot know any better. Thus, we soon forget how ridiculous this whole affair is and get caught up instead in our own fears and anxieties for Susy. From that point on we are hooked and there is no turning back until nighttime comes. Susy is cut off from the world with darkness approaching and that’s when the real nail-biting begins. But that's for you to see for yourself. I would not deprive you of that pleasure. 

The cast is rounded out by Richard Crenna, Emfram Zimbalist Jr. and Jack Weston who all are decent but their roles are relatively cookie cutter. The little girl Gloria is a spunky character but  the real attraction as I said before is Hepburn. The score by Henry Mancini gives the film a thrilling feel rather like a Columbo special. If there ever was a thriller this is certainly one of them! Just Wait Until Dark, you’ll see. 

4/5 Stars

Roman Holiday (1953) - Updated

Joe: Today’s gonna be a holiday.

Princess Ann: But you want to do a lot of silly things?

The answer is yes, yes we would!! That is the beauty of this film which plays out as a lovely jaunt through Italy with two favorites in Audrey Hepburn and Gregory Peck. With Hepburn being practically unknown at this point in time it made her a wonderful choice to play Princess Ann. She was someone without any prior identifying roles making her young princess seem plausible. William Wyler took a chance on an unknown and he certainly hit the jackpot.

Gregory Peck on his part was always a strong leading man and an All-American type, perfect to play Joe Bradley. However, he also exuded gentlemanliness so despite the fact that the princess spent the night in his apartment we know nothing went on.  He had no ulterior motives bringing her to his apartment and even when he arranges to get an article out of her we know that is not who he is.

The film itself consists of wonderfully connected vignettes incorporating the Roman culture and landscape. Princess Ann leaves behind the hospitality of Joe in order to explore a bit before she goes back to her real life. In order to get that major scoop he tails her and finally invites himself to tag along, so beginning the real fun. Princess Ann gets her beautiful locks cut by a friendly barber and gets some gelato from a street vendor.

Soon she takes her first puff of a cigarette, takes in the glory of the Coliseum, rides a Vespa through the hectic streets of Rome and winds up in police headquarters with some explaining to do.They finish up their afternoon on a more thoughtful note at a wall of wishes originating during World War II.

One of the best moments occurs at the mouth of truth, a great stone statue which you are supposed to stick your hand in before it eats it up. In a moment of sheer fear Princess Ann or Audrey Hepburn, I’m not quite sure who, looks on in horror as a screaming Bradley removes his arm and his hand is gone. Up comes the hand from the coat sleeves and the jokes on her. It has absolutely no bearing on the plot but it makes us love Peck and Hepburn even more.

To finish off the evening the two companions and Irving (Eddie Albert) cause a ruckus at a dance aboard a barge before swimming away to safety. There Ann finds love and a soaking wet kiss to go with it. But it is at that moment when the laughs stop and the romance begins that everything becomes all too clear. This wonderful day cannot last forever. There is a time, after one final embrace, when they have to say goodbye for good.

This is not one of those “love at first sight” stories but it is a different sort of fairy tale where two individuals share an enchanting day together and fall in love. Every Cinderella story must end and so does this one (Anna: At midnight I’ll turn into a pumpkin and drive away in my glass slipper). They must eventually come back down to reality with Princess Ann fulfilling his duties and Joe moving on with his career.

Joe’s major newsflash is not a thing anymore; the whole day means too much to him and as the buddy he is, good ol' Irving understands that.

Speaking of Irving, he deserves some discussion. Eddie Albert’s character is spilled on, stepped on, knocked over, tripped and through it all remains the perfect buddy for Gregory Peck.  Even his little car is a riot, not to mention his inconspicuous tiny cigarette camera and sly efforts at photography in every type of circumstance. Irving shares a great deal of double talk with Joe which somehow gets past the unsuspecting princess. However, by the end of the film the princess is also a cohort in their memorable adventure with commemorative photos included! 

When Joe Bradley walks out of the grand palace he leaves content knowing that he shared something special. No one else needs to know (aside from Irving) about the fairy tale they shared and that is the beauty of it all. It is just their little secret, their Roman Holiday. 

5/5 Stars

The Nun's Story (1959)

From director Fred Zinnemann and starring Audrey Hepburn here comes a very unique film indeed. Hepburn is Gaby also known as Sister Luke, who makes it her life mission to become a Nun. She leaves behind her loving father (Dean Jagger), young love and siblings to lead a life of solitude and sacrifice.

She learns and is disciplined at the convent, finding out what it means to "die to self." However, it is by know means easy, because as with any human being pride and other struggles impede her progress.

Quickly she shows her skill as a nurse and yet she is challenged to act with more humility and winds up not in her desired location of the Congo but in Europe to continue to grow spiritually.

Finally, she is rewarded for her patience and goes to the Congo only fall into her element. There she is beloved by the natives and nuns alike while also gaining the respect of the local practicing doctor (Peter Finch) who is not a believer.

He however rightly concludes that Sister Luke is not your typical nun because she has too much self-determination and individuality. As a good sister she tries to block out his words, but after she is sent back to the convent she must face this reality head on.

World War II has erupted and the Sisters are called not to intercede on either side, but after personal tragedy Sister Luke realizes she must give up the life of the nun.

After so much loving service to her fellow man while wearing the robes, she is forced to shed them on her own accord. It is a solemn moment as Gaby once again removes her ring of commitment and walks off into the unknown world plagued by war. It is an unsatisfying conclusion but a moving ending nonetheless.

Zinnemann is often interested in the inner struggles of his protagonists and that is on display again in this film. Furthermore, his on location shooting in the Congo adds a sense of authenticity to the story. I am convinced that no actress other than Audrey Hepburn could possibly have done justice to this role, or at least no one else could have played it so wonderfully. She exudes such a sweetness and innocence it is difficult to see how anyone could every get annoyed with her. Her Sister Luke is seemingly spot on and the lengthy film would have certainly faltered without her.

4/5 Stars

The Best Films of Audrey Hepburn

1. Roman Holiday
2. My Fair Lady
3. Charade
4. Sabrina
5. Breakfast at Tiffany's
6. Wait Until Dark
7. Two for the Road
8. The Nun's Story
9. How to Steal a Million
10. Funny Face
11. The Children's Hour
12. Love in the Afternoon

Funny Face (1957)

Although not a tremendous musical, Funny Face is a fun film that is worth a watch because it pairs Fred Astaire and Audrey Hepburn.

My main purpose for watching this film was to commemorate what would have been Audrey Hepburn's 85th birthday today. This was a great film to go to in that respect, because it features many iconic shots of true Hepburn fashion. The film facilitated it since Hepburn was the newest model for a fashion magazine and Fred Astaire was the photographer who brought her on and ultimately fell for her.

So much color, style, and a good deal of relatively entertaining song and dance courtesy of Gershwin. Although this is no American in Paris you still have some of the Parisian allure.

I must admit that Audrey Hepburn certainly does not have a "Funny Face" in my opinion, but I will say that she always was a pleasant and charming beauty to watch. She is one for the ages as an actress, a fashion queen, a humanitarian, and an all around beloved lady.

Happy Birthday Huckleberry Friend

3.5/5 Stars

Wait Until Dark (1967)

Starring Audrey Hepburn and Alan Arkin, this is a harrowing suspense thriller. The film opens with a man being given a doll by a fearful woman. Little does he know what is inside and there is a thug trying to retrieve it. The man's blind wife spends most of her time at home with the doll unknowingly in their care. The thug enlists two other incriminated men to help in the elaborate plan. The key is the blind woman and so they get to work by luring her husband away and then gaining her confidence. Through a course of events they hope to scare her into telling where the doll is. She begins to become suspicious but she still does not know where the doll is herself. However, soon it comes into her possession. Night is falling and she is cut off from all outside help. She waits anxiously in her darkened home and when the enraged thug returns Susy fights back the only way she knows how, in a struggle to survive.

Audrey Hepburn is usually a sympathetic figure but when you make her blind the audience worries even more for her safety. The climatic moments are thrilling and they certainly make the viewer uncomfortable. It is questionable if a real blind person would be so trusting or if an actual person would bring home a doll that was handed to them. Aside from that this is an entertaining film and Hepburn was great.

4/5 Stars

Two for the Road (1967)

Starring Audrey Hepburn and Albert Finney,this romantic comedy gives a more realistic view of love and marriage. Mark and Joanna have been married about 10 years now and despite their wealth they seem unhappy. The non-linear story relates how they both met each other while vacationing in France. They were young, energetic  and in love. The film also covers their travels across France with Mark's former girlfriend, her analytic husband, and their spoiled daughter. Then, we learn Mark fianlly got work as an architect. However  now with a small daughter, the marriage is dragging and they both have their own affairs. Despite the loss of their original passion, the couple realizes they are in love so Mark quits his job so they can start anew in Rome. This film gives off a sunny 60s vibe with a playful score by Henry Mancini, bright colors, French scenery  and of course love. I always enjoy Audrey Hepburn but I also felt Finney did an excellent job playing opposite of her. Most importantly  director Stanley Donen may have made a Hollywood style romance, but he made it more recognizably human than most. It does not simply examine the passion alone because there are many aspects of this big, messy experience called love.

                                                             4/5 Stars

My Fair Lady (1964)

Adapted from the play Pygmalion, originally written by George Bernard Shaw, My Fair Lady stars Audrey Hepburn and Rex Harrison. It follows a speech therapist (Harrison) as he tries to win a bet with an old acquaintance that he can pass off a poor flower girl as a duchess. He takes Eliza Doolittle (Hepburn) and begins to train her, not as a person but as an experiment. Eliza eventually gets fed up with this treatment but at the same time also wants to become sophisticated. With Harrison's help she does become that person and is no longer a subject to be experimented with. This is a role where Hepburn plays completely against her image for most of the film but she does pull it off in the end. Putting together a good cast, plot, and songs, this film is quite good.

4.5/5 Stars

Charade (1963)

Starring the romantic pair of Cary Grant and Audrey Hepburn, with Walter Matthau, James Coburn, and George Kennedy, this film is considered the best "Hitchcock film" which the director did not make. While on vacation, Grant and Hepburn first meet briefly and then she returns to her home Paris. Hepburn goes there only to find out her husband, who she wanted to divorce, has been murdered. When meeting with a CIA man (Matthau), she learns that her husband and three buddies stole some money during a war but the three chums never got their shares. Upon meeting Grant again, he agrees to help Regina (Hepburn) and also says he is looking for the money. Through a series of events the three other men are all killed and everything seems to point to Grant. Hepburn runs for her life with Grant close behind and winds up meeting the CIA man. However, everything is not as it seems and after a shoot out Hepburn finally realizes the truth. Along with the thrills this movie has a nice score and a touch of playful comedy (including Grant's many aliases including Peter Joshua, Alexander Dyle, Adam Canfield, etc.). Cary Grant was hesitant of playing opposite Hepburn since he was quite a bit older, but that is used nicely in the film as a source of even more comedy. Furthermore, Mancini's score gives the film a 1960s spy vibe or I guess I should say agent... Hope you enjoy Stanley Donen's Charade.

4/5 Stars

Breakfast at Tiffany's (1961)

Starring Audrey Hepburn and George Peppard, the movie follows the lavish lifestyle of the ditsy Holly Golightly. Moving into her apartment building, the down-on-his-luck writer Paul immediately grows fond of Holly's quirky personality. Considering each other simply friends, Paul comes to one of Holly's wild parties and they journey through New York together. However, although Paul is falling for Holly, his circumstances seem to prevent it and besides she is oblivious to his affection. Slowly they fall farther apart with Holly's upcoming marriage to a wealthy man. In the end they do reconcile, embracing in the rain (of course). Holly has finally found a man who truly loves her and does not use her. The love story is an interesting one and Hepburn gives a lively performance. Henry Mancini's "Moon River" is a wonderful addition to this film. I would say however that this is not my favorite film with Hepburn because it is certainly hard to top Roman Holiday.

Needless to say, this is a film that I have a difficult time  making my mind up about. I will wholeheartedly admit that I enjoy Audrey Hepburn movies ranging from Roman Holiday and Sabrina to Charade and Wait Until Dark. Of all of her performances, Holly Golightly is arguably her most iconic. Perhaps this is because she played against her usual gracefully timid image or maybe it was  the memorable wardrobe put together by Givenchy. Breakfast at Tiffany's also has some wonderful supporting actors such as Patricia Neal, Martin Balsalm, Buddy Epsen, and an unfortunately badly cast Mickey Rooney. I think I would conclude that if Tiffany's was just composed of its beautiful opening sequence accompanied by Moon River and the final romantic moments, I would thoroughly enjoy it. However, some of the moments in the middle I suppose are not as memorable or downright strange, making this a far from perfect film. It is, however, still an enjoyable romantic comedy that showcases Audrey Hepburn and includes the best of Henry Mancini and Johnny Mercer.


4/5 Stars

Sabrina (1954)

Starring Audrey Hepburn, Humphrey Bogart, and William Holden, with director Billy Wilder, the film begins with Sabrina (Hepburn) as a young girl. She lives with her father who is a chauffeur for a rich family. Sabrina loves the younger playboy son (Holden) however he gives her no serious attention. Depressed, Sabrina wants to kill herself and her father decides to send her off to culinary school in France. Some time passes and the grown up Sabrina is a perfect lady. Soon she catches the eye of Holden back home and all her dreams come true when they spend time together at a party. However, his older practical brother (Bogart) does not like it one bit since Holden has a fiancee. Wanting to get Sabrina away from his brother, Linus wines and dines her so the strategic wedding will stay on schedule. He then gives her a one way ticket and sends her off. Only afterward does he realize his own feelings for Sabrina and thus he decides to follow her. This film overall is a charming romance that is worth seeing.

4/5 Stars

Roman Holiday (1953)

Starring Gregory Peck and Audrey Hepburn with direction by William Wyler, this movie has one of the greatest romances ever depicted on screen. Hepburn is a young princess named Ann on a trip to a foreign country. However, she is constantly bored from the rigidness of her life. On a whim she escapes in the night and finds herself sleepily wandering the streets of Rome. An American journalist (Peck) happens upon the disorientated princess and eventually decides to take her in since she seems lost. Soon enough he figures out just who she is and decides to take her through Rome with a friend (Eddie Albert) so they can get a scoop. Together they take her through the city to explore and secretly take candid photos.

However, Peck soon finds himself falling in love and he cannot bring himself to submit the article. With the thanks of the princess, they are left with the simple satisfaction that they were able to spend the day together. Peck and Hepburn are both wonderful in this one and the story is heartwarming and funny.

I tried to figure out why it is always so enjoyable coming back to this film. Was it the romantic chemistry of Peck and Hepburn, the timeless setting of Rome? Or perhaps is it the direction by William Wyler, the screenplay by blacklisted Dalton Trumbo, or the support work of Eddie Albert as Irving? Undoubtedly all of these wonderful occurrences play some part in making this film a classic.

Most of all it struck me that much like Jacques Tati's Mr. Hulot's Holiday, this is not just a film. It is quite like a vacation for the audience and we get to enjoy it along with all the main players. We get the privilege of taking part in all the adventure and the laughs. By the end we don't want it to end but like any holiday we must say goodbye and wait until our next vacation comes around. Thus, it seems that Roman Holiday never gets old because the audience is constantly looking forward to the time away in 1950s Rome with our romantic stars.

5/5 Stars

Star of the Month: Audrey Hepburn

As a young girl Audrey Hepburn lived in occupied Netherlands during WWII and she trained as a ballerina and she would continue this for a time before turning to acting. She had bit parts in a few films including The Lavender Hill Mob before getting her big chance as the title character of the Broadway play Gigi. It was after this that she hit the big time with her performance in Roman Holiday opposite Gregory Peck, and from that point on the film world was enamored with her.

Audrey Hepburn began as a timid yet graceful young woman who captivated audiences in films such as Roman Holiday and then Sabrina. However, over time she kept many of those qualities but also evolved into a tremendous actress and chic fashion icon. Into the 1960s she appeared in such classics as Breakfast at Tiffany's which is possibly her most remembered role with an iconic wardrobe by Givenchy. Then, she went onto Charade with Cary Grant, and then My Fair Lady in 1964 with Rex Harrison. The first being a romantic thriller and the other a musical based off the work of George Bernard Shaw; very diverse roles to say the least. Two of her last great films came out in 1967. Wait Until Dark had her playing a blind victimized woman to perfection and then in Two for the Road she struggles through the ups and downs of a marriage with Albert Finney. Some films I did not even mention are Funny Face, Love in the Afternoon, A Nun's Story, and How to Steal a Million. Whatever you think of her films I think it must be said that Ms. Hepburn was certainly captivating in each and every role. She is one of the icons who transcends the movies with her iconic fashion, her immense charity, and above all her humble grace.

Happy Birthday Audrey!

It is better late than never so I want to briefly acknowledge that today would have been the birthday of everybody's favorite actress Miss Audrey Hepburn! She was a film and fashion icon with an elegant grace that radiated from her. From Roman Holiday to Breakfast at Tiffany's she lights up the screen with her memorable portrayals. I doubt there will ever be another who could match the likes of Audrey.

Audrey Hepburn (Part 2)

Charade (1963)

Starring the romantic pair of Cary Grant and Audrey Hepburn, with Walter Matthau, James Coburn, and George Kennedy, this film is considered the best "Hitchcock film" which the director did not make. While on vacation, Grant and Hepburn first meet briefly and then she returns to her home Paris. Hepburn goes there only to find out her husband, who she wanted to divorce, has been murdered. When meeting with a CIA man (Matthau), she learns that her husband and three buddies stole some money during a war but the three chums never got their shares. Upon meeting Grant again, he agrees to help Regina (Hepburn) and also says he is looking for the money. Through a series of events the three other men are all killed and everything seems to point to Grant. Hepburn runs for her life with Grant close behind and winds up meeting the CIA man. However everything is not as it seems and after a shoot out Hepburn finally realizes the truth. Along with the thrills this movie has a nice score and a touch of comedy (including Grant's many aliases).

8/10 rating

My Fair Lady (1964)
Adapted from the book and play Pygmalion, originally written by George Bernard Shaw, My Fair Lady stars Audrey Hepburn and Rex Harrison. It follows a speech therapist (Harrison) as he tries to win a bet that he can pass off a poor flower girl as a duchess. He takes Eliza Doolittle (Hepburn) and begins to train her, not as a person but as an experiment. Eliza eventually gets fed up with this treatment but at the same time also wants to become sophisticated. With Harrison's help she does become that person and is no longer a subject to be experimented with. Putting together a good cast, plot, and songs, this film is quite good.

8/10 rating

Other Audrey Hepburn films I may watch in the future include: Funny Face (1957), Love in the Afternoon (1957), The Nun's Story (1959), Two for the Road (1967), and Wait Until Dark (1967).

Audrey Hepburn can also be seen extremely briefly in the classic comedy-heist film The Lavender Hill Mob (1951)

Audrey Hepburn (Part 1)

Audrey Hepburn began as a timid yet graceful young woman who captivated audiences. Over time she kept many of those qualities but also evolved into a tremendous actress and chic fashion icon. She was versatile acting in both romantic comedies and dramas. After her triumphal success in Roman Holiday she became beloved by many over the years.

Roman Holiday (1953)
Starring Gregory Peck and Audrey Hepburn with direction by William Wyler, this movie has one of the greatest romances ever depicted on screen. Hepburn is a young princess named Ann on a trip to a foreign country. However, she is constantly bored from the rigidness of her life. On a whim she escapes in the night and finds herself sleepily wandering the streets of Rome. An American journalist (Peck) happens upon the disorientated princess and eventually decides to take her in since she seems lost. Soon enough he figures out just who she is and decides to take her through Rome with a friend (Eddie Albert) so they can get a scoop. Together they take her through the city to explore and secretly take candid photos. However, Peck soon finds himself falling in love and he cannot bring himself to submit the article. With the thanks of the princess, they are left with the simple satisfaction that they were able to spend the day together. Peck and Hepburn are both wonderful in this one and the story is heartwarming and funny.

9/10 rating

Sabrina (1954)
Starring Audrey Hepburn, Humphrey Bogart, and William Holden, with director Billy Wilder, the film begins with Sabrina (Hepburn) as a young girl. She lives with her father who is a chauffeur for a rich family. Sabrina loves the younger playboy son (Holden) however he gives her no serious attention. Depressed, Sabrina wants to kill herself and her father decides to send her off to culinary school in France. Some time passes and the grown up Sabrina is a perfect lady. Soon she catches the eye of Holden back home and all her dreams come true when they spend time together at a party. However, his older practical brother (Bogart) does not like it one bit since Holden has a fiancee. Wanting to get Sabrina away from his brother, Linus wines and dines her so the strategic wedding will stay on schedule. He then gives her a one way ticket and sends her off. Only afterward does he realize his own feelings for Sabrina and thus he decides to follow her. This film overall is a charming romance that is worth seeing.

8/10 rating

Breakfast at Tiffany's (1961)
Starring Audrey Hepburn and George Peppard, the movie follows the lavish lifestyle of the ditsy Holly Golightly. Moving into her apartment building, the down-on-his-luck writer Paul immediately grows fond of Holly's quirky personality. Considering each other simply friends, Paul comes to one of Holly's wild parties and they journey through New York together. However, although Paul is falling for Holly, his circumstances seem to prevent it and besides she is oblivious to his affection. Slowly they fall farther apart with Holly's upcoming marriage to a wealthy man. In the end they do reconcile, embracing in the rain (of course). Holly has finally found a man who truly loves her and does not use her. The love story is an interesting one and Hepburn gives a lively performance. Henry Mancini's "Moon River" is a wonderful addition to this film. I would say however that this is not my favorite film with Hepburn because it is certainly hard to top Roman Holiday.

8/10 rating