To Sir, With Love (1967)

Starring Sidney Poitier and set in London, the plot follows a former architect from British Guiana who becomes a teacher at a high school in a tough area. Early on Mark Thackeray faces a rebellious group of teenagers who dislike education and challenge authority whenever possible. He resolves to keep his temper and yet one day their actions are too vulgar for him and he loses it.

After that he develops a new strategy to treat them as adults and he teaches them practical skills they will need in the real world. He changes how they act and takes them on field trips so that even the most combative one Denham is won over. However, after an incident during gym class which he must diffuse, Thackeray loses the respect of much of the class. His mood changes slightly after receiving another job offer.

Later on in the gym class he is supervising he boxes with Denham. In the ensuing moments he wins Denham and then everyone else over once more. With the year finally over, Thackeray is invited to the year end dance where he is given a gift and serenaded with song (To Sir, With Love by Lulu)! Too choked up to speak he retreats to his office. After a chance encounter he resolves to continue teaching and rips up the other offer.

Besides a good theme in "To Sir, With Love," Sidney Potier gives a great performance that makes this film both powerful and touching. If you want a small look into Swinging London this is one to watch. Although I am tempted to find fault in this film I find myself focusing on the positives and I will leave it at that.

4/5 Stars

Lilies in the Field (1963)

Starring Sidney Poitier, the film opens with a black construction worker who has an overheated car in the middle of a desert. He spots at the residence of some European nuns to get water. Homer is intent on making a quick pit stop but the mother superior has other ideas. She sees him as a gift form God so that their Chapel might be built. He reluctantly decides to stick around for a little while to help them out and teach them some English. The stubborn Mother Superior wants everything her way and Homer ends up leaving them. Although he realizes he will not get paid, Homer's ambition to be an architect leads him to eventually start the Chapel for the nuns. He takes on a part time job and starts the undertaking while the nuns request materials. Soon the locals want to help but Homer is adamant that he do everything. Eventually they do join in and more materials come. Progress picks up and Homer becomes the foreman. The building is finally put up and yet the proud Mother will not thank Homer. That night she is finally tricked into thanking him and Homer leads them in a spiritual one last time before driving off into the night. This film is a battle of sorts between two strong-willed people. In the end it brings a great deal of good.

4/5 Stars

The Defiant Ones (1958)

Starring Tony Curtis and Sidney Poitier with director Stanley Kramer, the film opens in the pouring rain with a truck full of convicts. It goes off road and no one is hurt except two men escape.  A Sheriff an state policemen begin tracking them on foot. However, this pair is unique since one is the white “Joker” Jackson and the other is a black man named Noah Cullen. Their racial prejudice and conflict of interests causes sparks to fly. Through it all they are forced to work together just to survive, whether it be wading through rapids, climbing out of a ditch, or trying to break their chains.  Along the way they narrowly escape a hanging and they meet a lonely white woman. Jackson is forced to make a decision about his newfound comrade and Cullen in turn also makes a sacrifice of his own. This is such an extraordinary story about racial conflict. Ultimately, they are no longer so much black or white as much as they are fellow men. In an era full of racial tensions, this film was extremely relevant and it is still powerful to this day.

4/5 Stars

A Raisin in the Sun (1961)

Starring Sidney Poitier and adapted from a stage play, the film chronicles the lives of an African American family residing in Chicago. The whole family including the matriarch, her unsatisfied son, his wife, his son, and his sister wait excitedly for an insurance check for $10,000. The mother receives the money and resolves to use it in order to buy a nice home for her family in a white community. She then gives the rest to her son who has big plans for it. However, he loses it all leaving the family bitter and worried. In the end Walter does show his integrity and despite the bad situation, the family remains close. A great deal of this film is about the conflict of ideas and interests of the different individuals. It is also memorable since the cast is almost all African American. Poitier is good but it seems the mother steals the show.

4/5 Stars

Guess Who's Coming to Dinner (1967)

This film directed by Stanley Kramer, has a relatively simple story line revolving around a major issue. Joanna Drayton has fallen in love with a doctor whe met only 10 days before and wishes to get married. Obviously, her parents played by Spencer Tracy and Katharine Hepburn, are startled by this whirlwind event. They are even more dismayed when they discover he is a black man. Hepburn's character lightens to the idea while her husband is adamantly against it. Soon everything becomes even more complicated when the man's parents are invited to dinner, only to be equally startled. Eventually giving it more thought, Tracy does condone the marriage realizing how much his daughter is in love. This would be Tracy's final film and he would die only a couple weeks after shooting ended. He and Hepburn do a wonderful job with Sidney Poitier and Katharine Hougton as well. This movie is good and also monumental for the racial issue it covered.

                                                                   4/5 Stars

Happy Birthday Sidney Poitier!

Happy 86th Birthday to Sidney Poitier! Mr. Poitier was one of the first prominent African-American leading actors and he was the first black man to win a best actor Oscar which he achieved in 1963 for Lilies of the Field. His filmography includes such classics as The Defiant Ones, Porgy and Bess, A Raisin in the Sun, A Patch of Blue, To Sir, with Love, In the Heat of the Night, and Guess Who's Coming to Dinner. He often played strong and intelligent characters that broke the accepted stereotypes of the time. He truly was a pioneer in acting and one of the great screen legends.

In the Heat of the Night (1967)

With an interesting conflict between two policemen, one white and one black, In the Heat of the Night is a thrilling crime film. Rod Steiger delivers a wonderful performance as the common place and prejudiced officer who heads a southern police force. Things do no start off well when a policeman from Philadelphia, Mr. Tibbs (Poitier) is accused of murder simply because of his race. Only afterwards do they learn he is a highly respected detective. Because they need help, they reluctantly ask for his assistance. Tibbs must learn how to deal with the prejudice while Gillespie (Steiger) must curb his own racism. Over the course of the film, the two men face opposition but they stick with it to see the case through. When the crime is finally solved, Tibbs is about to leave and Gillespie with a new-found respect tells him to come back sometime. In an age where racism was still a tremendous problem, this film combated the issue and created something very special in the process.

5/5 Stars