As a lover of Black and White cinematography Raw Deal is highly appealing with its chiaroscuro, silhouettes and framing of characters. But after all that's often part of the allure of Noir.
Claire Trevor's matter of fact voice-over backed by the theremin is highly effective in dictating the disconcerting mood for the entirety of the film. All our previous predispositions tell us the stage is set for a chilling ending but we can hardly imagine what it is at this point.
After Joe busts out of prison you get much of what you would expect. A tense manhunt involving a dragnet crossing multiple state lines and a fugitive at large with accomplices. There is violence and melodrama galore as Joe dodges the police while also trying to reconnect with a crooked mob boss named Rick (Raymond Burr), who leveraged an escape attempt so Joe would get knocked off.
With the circumstances as they are he's not too keen on giving Joe the 50Gs that he is owed and so Rick wants the fugitive knocked off if the cops don't get to him first. Put in this light, the film feels analogous to many other Noir staples like White Heat, Out of the Past, Gun Crazy or The Big Heat to name a few. However, it has its own wrinkle that makes it interesting.

However, he's certainly not all hardened criminal and so that is part of what makes the rest of the film so interesting. Each character walks the thin line of morality and each one crosses over to the other side even if its only for an instant.
For Pat the clock continues to tick and her conscience ultimately catches up with her. As the drama reaches its near apex we see Joe's true feelings and in a sense who he has become compared to who he was earlier. However, we cannot help feeling a tinge of remorse in the end. So you see the film succeeded in doing the near impossible, making me sympathize for Claire Trevor's character. She seemingly often plays undesirables, but they are never cookie cutter and the same can be said for Raw Deal.
4/5 Stars
"You're something from under a rock" ~ Ann Martin
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