Alien (1979)

In the wake of other Sci-Fi smashes like Star Wars (1977) and Close Encounter of the Third Kind (1977), Alien was a radically different film which lacked the same sentiment of its precursors. One would wager a guess that this core variance stems from director Ridley Scott who certainly is no George Lucas are Spielberg. His films are generally darker, more world wearied and disillusioned. Blade Runner is the a perfect illustration of this, but three years earlier came Alien a Sci-Fi Horror film of immense critical acclaim and impact even to this day.

The film opens as a spacecraft called the Nostromo gets ready for a return trip to earth after a commercial excursion by its 7 member crew. However, a distress signal halts their plans and the Captain Dallas (Tom Skerritt) resolves to go investigate. On the surface of the abandoned planet are the remnants of what seems to be an ancient alien empire. One member of the crew Kane (John Hurt) comes upon a chamber full of what appear to be eggs and as is expected he is attacked. We knew it was building up to this point.

Back on the craft, Kane is still alive but now has a octopus like alien attached to his head. It's a acidic situation because it appears to be feeding him oxygen and it has no plans of coming off anytime soon. Next comes the calm before the much anticipated storm as the tension slowly increases exponentially.

What ensues is a cat and mouse game between the crew and this belligerent alien which has grown increasingly larger. Its evolutionary adaptations make it seemingly immune to extermination, but the crew tries desperately to destroy it with electric prods and flamethrowers. Soon it's difficult to know who the cat and who the mouse are, but it favors the alien.

It doesn't help that Jones the cat is on the loose and there is even a bit of mutiny aboard the craft. It feels a bit like a tense Agatha Christie novel with person after person slowly getting knocked off. But that sensation does not last long when we actually see what we are dealing with. This creature has no conscience. No humanity. It only cares about survival by killing its prey. To win you must do the same and beat it at the game.

Thus, although I initially thought it a weakness to only have one alien, it turns out that it makes this film all the more tense. Also, very little of the action actually takes place outside of the ship. They are stuck on board in the middle of outer space fighting for their lives. Not much can be more horrific than that and it is a very unnerving ride with surprisingly good pacing and many graphically shocking moments

The cast is a nice diverse group of actors including Skerritt, Hurt and Ian Holm, but Sigourney Weaver is undoubtedly the standout as 3rd in command Ellen Ripley. She is last one to keep her head and her story would set the framework for the entire Alien franchise. Not to mention the role propelling Weaver to stardom and introducing the model for future female protagonists.

Alien definitely has a lot to offer and I am excited to see the next installment Aliens. That added "s" has me intrigued to say the least.

4.5/5 Stars

Blade Runner (1982) - Final Cut - Updated

"Too bad she won't live but then again who does?"

It's the year 2019 in Los Angeles but this is a far cry from the world we are used to as you will soon see. Blade Runner is a hybrid neo-noir, dystopian and sci-fi film. The Tyrell Corporation has successfully created humanoids called replicants that are near perfect copies of humans except at one point some went rogue and special policemen called Blade Runners were called in. Their services are still required to get rid of a few remnants

Unlike your typical Noir, the film is not in black and white but it still is faded, dank and dreary. It's a world weary L.A. that doesn't see the light of day anymore. The sterile environment is filled with unnaturally blueish light, old technology and space ships coupled with neon lights. The 1980s aesthetic actually adds to the atmosphere which fills all the more dilapidated and old by modern standards. It is weirdly sci-fi while also being time worn. On the ground it has the appearance of a Chinatown where it is perpetually raining. There is a melding of clutures, time and place. The ultimate melting pot.

This is the strangely foreign earth that four replicants escape to. One of the fugitives soon blows away a Blade Runner and thus, the best man for the job is brought in: Rick Deckard (Harrison Ford). Finding 4 so called "Skin jobs" is like finding needles in the proverbial haystack. But Deckard has the experience.

Initally he pays a visit to replicant mastermind Dr. Elden Tyrell and does a test on the woman Rachael (who appears to be a replicant but without any knowledge of it). Deckard proves his skill to Tyrell and heads off on his investigation. Meanwhile two of the replicants Roy Batty and Leon interrogate a replicant eye manufacturer (James Hong) who points them to one J. F. Sebastian. Another replicant Pris pays a visit to the hapless man named Sebastian and he invites her into his home.

Deckard's search leads him to snake scales and his first target. He gets to Zhora by putting on an act as a dweeby member from the American Federation of Variety Artists (reminiscent of Bogart in The Big Sleep). She has none of his pitiful guise but he soon pops her. One down. But Leon sees what happens and is ready to make Deckard pay for his deeds. Luckily the Blade Runner gets some much needed help. Two down. Two to go.

The leader of the replicants, Roy Batty goes with Sebastian to the lair of Tyrell. Batty meets his maker literally and they trade some choice words. In a strangely horrifying instance he gives his father a kiss before proceeding to cave his head in. A modern reincarnation of Frankenstein and his creature. Except Batty cannot take his life yet.

Deckard finds his third replicant and barely notches his third kill. Now its only Roy and Rick left to duel it out. What ensues is a game of cat and mouse where a frantic Deckard is playfully stalked by a seemingly deranged Batty. At times both men seem inhuman (I thought you were supposed to be good. Aren't you the "good" man?), but it is ultimately Batty who remains the unfeeling one. That's what makes his quiet death all that surprising. Deckard is left looking on bewildered as Batty's dripping head hangs limp. Four down.

Deckard returns one last time for Rachael. He has fallen for a replicant, but he could care less. Then, again she might not be the only one left. If Gaff's origami unicorn and Deckard's dream mean anything at all. The identity of Deckard is one of the many ambiguities that is left for the audience to mull over. That is the beauty of Blade Runner, because with the many different versions, there are various interpretations that can be made. You be the judge of which one is correct. I still say they should have kept the name "Do Androids Dream of Electric Sheep," but then again what do I know. Blade Runner will continue to befuddle me as well as others and that's probably a good thing. If all movie mysteries were solved and tied up nicely with a big bow they would undoubtedly lose their allure. Not so with this one.

4.5/5 Stars

Blade Runner (1982) - Final Cut

This sci-fi, neo-noir directed by Ridley Scott stars Harrison Ford as Rick Deckard. The film opens in Los Angeles in 2019 which is continually dark and perpetually raining. In this futuristic dystopia, several replicants, which are superhumanoids, have escaped and gone rogue. After one man is killed, Rick Deckard is called in to execute them and take up his former job as a blade runner. First he heads to the Tyrell Corporation where he meets Rachael, a woman who is unknowingly a replicant. The fugitive replicants begin to search for their creator and Deckard continues his own search and with a little help he is successful. At the same time the replicants gain access to Tyrell and confront him. Then, ultimately it is down to Deckard and Roy Batty, the leader of the replicants. In a somewhat bizarre ending, Deckard fights to survive and he returns to Rachael, their future unknown. Scott played off his own difficult experiences for this film in order to create a universe full of uncertainty. This environment is paradoxically old and futuristic at the same time. Even the melding of film-noir and sci-fi creates a disconcerting atmosphere of technology but also fear. I think part of the aura surrounding this film also has to do with the fact that Scott made multiple cuts so depending on which one you see the film differs as a whole (I saw the final cut from 2007).

4/5 Stars

Gladiator (2000)

Starring Russell Crowe, Joaquin Phoenix, and Connie Nielsen, with director Ridley Scott, this film is set during the waning days of the Roman Emperor Marcus Aurelias. General Maximus is a great and loyal warrior who the old man wants as his successor. However, his jealous son will not have it, killing his father and then ordering the execution of Maximus. He escapes but is mad a slave and then a gladiator. Through this he gains the respect of the masses and is able to defy Commodus. Over time, Maximus is part of a plot to remove Commodus. Once again the enraged emperor wishes to quash the legend of Maximus forever. He does not win in the end and Maximus has aided Rome. This action-epic had a lot of exciting scenes and a good hero. The score was good too but sometimes it seems as if the cinematography could have been better. This film is reminiscent of the classic epic Spartacus and it was a pretty good in it's own right.

4/5 Stars